If you'd like to apply to Snowblind and would like to test the waters first or get a sample set up for your application, this meme is for you! We've even provided some prompts for you to use if you want (but feel free to make up your own). Here's how it works.
✭ Reply to this entry with a character you're considering apping into the game. You can include the name of your character and the fandom in your subject line. ✭ Comment around to others on the meme, whether you're in the game already or not. ✭ Now you have a sample ready for your application! ✭ So go reserve and apply when reservations and applications are open. ✭ Seriously, do it.
Network Prompts
ONE: BUMP IN THE NIGHT It's dark out, and congratulations - you're inside! What's not inside, you might ask? Monsters. Shadowy monsters that have surrounded whatever house you've taken shelter in. They can't get in... or can they? From time to time, the doors and the walls creak as if under an unbearable pressure.
Who can sleep when it's like this? Maybe you should take to the network to find a distraction. Or maybe someone has advice for getting rid of those things.
TWO: BRING OUT YOUR DEAD We mourn the loss of those who have died in the time between the last announcement and this one:
...is that your name on that list? It might be. Maybe you should let the others know you're not actually dead. Or, you know, if you happen to spot the name of someone you know and love on there, it might be time to ask around and see if anyone knows what happened to your dearly departed...
Action Prompts
THREE: KYRIE ELEISON You've found yourself in a small chapel, complete with bolted-down pews, an altar devoid of symbols, and stained glass windows depicting various saints. It's quiet... one might even say dead quiet. Which is a really awful pun to be making, considering if you follow the stairs down to the basement you'll find a morgue.
Explore to your heart's content, but you'll be forced out at 7 PM. Hopefully you don't find any unfortunately familiar faces among the dead.
FOUR: LIGHTS OUT Against all odds, you've managed to make it to shelter for the night. You pull the door shut behind you and turn to look at your surroundings - and that's when you see it. A ... person. Is it a person? It's hard to tell, because a moment later, you're plunged into darkness.
...better hope that's another unfortunate visitor to Norfinbury you've been locked in with, and not something more threatening.
( the darkness was the cause of many things, from disappearances to deaths. the most common result was confusion, and general misunderstandings. in a place like this though, the death that followed being out in the dark was more dangerous than anything else.
kyoko hadn't really thought about others; neither here nor home. when she entered the closest shelter, she didn't really think there would be anyone in there. it was her nature to be selfish and to think of herself.
so if kadaj had wanted her to leave, he would have to pick her up and throw her out by force. )
[ It's somehow a relief to hear a reply. A weight lifts from his shoulders, but he still manages to sneer. It wouldn't do to start a fight—humans were softer, more fragile, and when one considered his current circumstances... ]
I could just kill you. [ It's all bark, but he looms closer threateningly any way. He wants to be big, and bad, but Mother required his survival. ]
I don't think you wanna do that, not here at least.
( the two were in the exact same position; in a place like this, she was no better than a weak and measly human. yet she still found herself standing as tall as possible. her ego was fueled by fear and a certain level of narcissism.
with a smug grin, she lifted her hand up, as if she were going to hit him. )
[ Kadaj lets out a bark of laughter, sudden and loud in the quiet of the empty home. ]
Is that a threat? [ It's almost as if he's begging for it to be. Violence is more familiar, and comforting than the dark hours that waited before him. ]
( kyoko was no stranger to violence or solitude but really-
this was her entertainment. there was no junk food here to keep her full, and nothing the city held to keep her busy. this was all she had. even if she ended up scraped up, it was better than dying out in the cold. )
So unless you want to be tossed out there, then I suggest you back off.
And who will do the tossing? [ His eyes have adjusted to the dark now, and, simply judging by her size, he wonders just how she'd manage against him. ]
You? [ Derision drips from the word, as if the very idea were laughable to him. He clicks his tongue, taunting. ] I'll let you try.
[ The idea seems to amuse, and his grin shifts, softening. Humans were worthless, despicable beings, but they had their moments of fascination. He stops his movements, raising leather gloved hands up in a mockery of surrender.
Is this better Kyoko? He totally seems genuine. :| ]
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snowblindmods) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
snowblindmemes2015-07-24 04:23 pm
action
( the darkness was the cause of many things, from disappearances to deaths. the most common result was confusion, and general misunderstandings. in a place like this though, the death that followed being out in the dark was more dangerous than anything else.
kyoko hadn't really thought about others; neither here nor home. when she entered the closest shelter, she didn't really think there would be anyone in there. it was her nature to be selfish and to think of herself.
so if kadaj had wanted her to leave, he would have to pick her up and throw her out by force. )
Wanna fight about it?
( and by fight she means talk. )
action
I could just kill you. [ It's all bark, but he looms closer threateningly any way. He wants to be big, and bad, but Mother required his survival. ]
no subject
( the two were in the exact same position; in a place like this, she was no better than a weak and measly human. yet she still found herself standing as tall as possible. her ego was fueled by fear and a certain level of narcissism.
with a smug grin, she lifted her hand up, as if she were going to hit him. )
Wouldn't you rather live through the night?
no subject
Is that a threat? [ It's almost as if he's begging for it to be. Violence is more familiar, and comforting than the dark hours that waited before him. ]
no subject
( kyoko was no stranger to violence or solitude but really-
this was her entertainment. there was no junk food here to keep her full, and nothing the city held to keep her busy. this was all she had. even if she ended up scraped up, it was better than dying out in the cold. )
So unless you want to be tossed out there, then I suggest you back off.
no subject
You? [ Derision drips from the word, as if the very idea were laughable to him. He clicks his tongue, taunting. ] I'll let you try.
no subject
( she takes a step back before moving out of his way. as much as she wanted to fight she was powerless here.
and she didn't really want to die. )
nonsense, then I'll have to knock you out.
no subject
Is this better Kyoko? He totally seems genuine. :| ]